A Research Site Devoted to the Past and Future of Found Footage Film and Video


"The Literary and Artistic heritage of humanity should be used for partisan propaganda purposes." - Gil J. Wolman

“A lot of people who call themselves artists now are cultural critics who are using instruments other than just written language or spoken language to communicate their critical perspective.”
-Leslie Thornton

Wednesday, August 20, 2008

Digital Remixing on Appropriation

A new vid on appropriation & culture jamming. wooooo!

Monday, August 18, 2008

Mondegreens, Animutation, Fanimutation and YouTube Poop

Somewhere beyond experimental remixes lie a number of small, self-contained groups which promulgate their own styles and tendencies, oblivious or indifferent to the outside world’s recognition or spectatorship. One such underground exists on YouTubePoop.com where these relentlessly absurdist remixers (also known as “poopers”) trade in the bizarre and incomprehensible. A YouTubePoop video frequently uses nostalgic children’s cartoons, Internet memes, public figures and subjects them to crushing transformations and manipulations which focus of three frame forward-reversals (not unlike Martin Arnold’s method of repetition taken to extreme measures) and create jarring, atonal melodies and disconnected rhythms. These remixes are modeled on the frenetic style of contemporary television taken to their teleological end point where images fly across the screen and are sometimes barely perceivable. Titles of films are taken from the Captain Beefheart / Frank Zappa school with films called John Conner’s Cookie Game is Up Due to Popcorn Malfunction.

On the margins of these experimental works lie remixers who have coined their own grammar and style which lie outside of any precedent set in found footage film history. These remixers trade on the humor, absurdity and unbridled originality of their works for their success. A quintessential figure in this area is Buffalax (AKA Mike Sutton), whose name has become a verb in many remixing circles after receiving over ten million views since 2008. A Buffalax film depends on humorous mondegreens (a word referring to misheard lyrics or phrases) of Indian pop music videos which are subtitled on the bottom of the screen. Sutton inventively finds English words which seem to roughly approximate the Hindustani lyrics, constructing absurd songs over hysterically kitschy videos. This mode of filmmaking stems from comedian Neil Cicierega’s “animutations” (also known as fanimuation) in which music in languages other than English are coupled with pop-culture images, subtitled with mondegreens and composed using Adobe Flash Player.

Below are some examples: