A Research Site Devoted to the Past and Future of Found Footage Film and Video


"The Literary and Artistic heritage of humanity should be used for partisan propaganda purposes." - Gil J. Wolman
“A lot of people who call themselves artists now are cultural critics who are using instruments other than just written language or spoken language to communicate their critical perspective.”
-Leslie Thornton

Monday, July 28, 2008

Cut-Ups and Mashups

Always a bittersweet moment when you find someone's been doing what you do , but much, much better. I discovered these cut-up films from Augart Media recently and can't stop watching them. Though this format may drive some of you crazy, it has been an interesting one for me to explore. These works combine film footage and construct musical or percussive songs from it. Weird--wonderful--and a little annoying. Like Martin Arnold on speedy LSD.







Thursday, July 10, 2008

Eat This Dow Chemical and Chevron

I just re-watched "What Farocki Taught", an American remake of Farocki's film "The Inextinguishable Fire." The film is a powerful look at the factors allowing napalm production at Dow chemical. The company has been trying to revamp their image with the "human element" ad campaign. This video is a nice reminder of why they should never be forgiven for contributing to one of the most dangerous weapons of mass destruction in human history.


This campaign is strikingly similar to Chevron's "Power of Human Energy" campaign which receives an "identity correction" from one of our favorite remixers, Jonathan McIntosh. We Love you Jonathan!

Monday, July 7, 2008

BRUCE CONNER (1933-2008)



If you didn't already know how much Bruce meant to me personally, the image at the head of my blog says it all. Bruce made startling and thoughtful images that reflected on consumerism and capitalism with a playful derision and incredible inventiveness and ingenuity. He single handedly revived the found footage film with his 1958 work ironically called A Movie and went on to create some of the most important avant-garde films in America.

We miss you Bruce.

More to come on this later...