I've recently been corresponding with several recycled cinema filmmakers and have found two great films worth mentioning.
"Cosas de Mujeres" by Javier Plano takes after many great avant-garde structuralist films in the spirit of Hollis Frampton or Michael Snow. The film has a leitmotif for each character, except instead of a musical theme, they are given a single tone. Javier explains it like this:
i can say that it was made following a path in the beggining: A, B, C, D (Antonioni, Bresson, Cocteau and Dreyer), and i try to make a tone for each one of the women that correspond with that musical note (A -> la , B -> si , C -> do , D -> re).
Through editing, a melody appears in the presentation of each character, giving unity to this examination of fighting women. A and C confronting D, with a bystander, B. Thanks Javier. This is truly amazing work.
ikat381's film "my heart will take a kayak" is a satirical mashup of "Titanic", celebrity journalism and Hurricane Katrina. I feel artistically akin to ikat381, especially since we've both been criticized online for mixing satire and parody with serious subjects. ikat381's mash-up is reality based, and works by forming connections between pop culture ("Titanic" and Celine Dion's famous song for the film) with real life tragedy (Hurricane Katrina) and the strange intersection they have on Larry King Live. It's also hilarious...
I recently took off a post I made which irreverently looked at some of the critics of my satirical mashup, "Ocean's 9/11" because it descended into petty name calling on my part. I'm working on new (less controversial) projects right now, one surrounding the great character actor Harry J. Lennix and his life playing an Uncle Tom, and the other regarding Capitalist critiques and Marxist undertones in horror films. Ocean's 9/11 was in the LA Times last week. The link is here.
"The Literary and Artistic heritage of humanity should be used for partisan propaganda purposes." - Gil J. Wolman
“A lot of people who call themselves artists now are cultural critics who are using instruments other than just written language or spoken language to communicate their critical perspective.”